reticulation 9.6 copy Abstract: This essay aims to diagram the set of connectivities (or “system of relations”) developing in business outsourcing affective, communicative labor and the value-adding digital image in contemporary Hindi-Urdu cinema. What emerges is a resonant set of nested temporalities constituting a new media assemblage. Throughout, I draw on a set of analyses [...]
Archive for the ‘Bollywood’ Category
The Value of Affect: Perception and Media in India today
Posted: May 31, 2010 in Becoming, Benjamin, Bergson, Bollywood, Causality, Cinema, Clinamen, Deleuze, dialectic, Ecology of Sensation, Experiments with vision, India, Method, Mobile Phones, New Media, Nietzsche, Organized Networks, Perception, Photography, Photography of India, Public Sphere, Time, ZenThe Value-Added Image: Media Assemblages as Ecologies of Sensation
Posted: October 27, 2008 in Bollywood, Deleuze, Ecology of Sensation, India, Method, New Media, Perception, TimeTags: affect, Bollywood, control, creativity, Deleuze, New Media, value added
It is not right to say that the cinematographic image is in the present. What is in the present is what the image ‘represents’, but not the image itself, which, in cinema as in painting, is never to be confused with what it represents. The image itself is the system of the relationships between its [...]
Race and Colorism in Bollywood
Posted: April 12, 2008 in Bollywood, Ecology of Sensation, India, Method, RaceDelanda talks movingly, yes movingly–what to do about Delanda’s style? there must be an untimely experience here as well–of the virtual; he writes, “The modelling process begins with a choice of manifold to use as a state space. Then from experimental observations of a system’s changes in time, that is, from actual series of states [...]
Toward a History of Media Assemblages
Posted: April 7, 2008 in Bollywood, Ecology of Sensation, India, RaceLet’s begin with Helen! What is a history of media assemblages/ecologies? Take the example of race and colorism in Hindi-Urdu Cinema. This is a draft of a paper I delivered at the Duke University Public Policy Institute in a “Work in Progress” conference held jointly with UNC. The analysis of cinema becoming media suggests to [...]