The Value of Affect: Perception and Media in India today

reticulation 9.6 copy Abstract: This essay aims to diagram the set of connectivities (or “system of relations”) developing in business outsourcing affective, communicative labor and the value-adding digital image in contemporary Hindi-Urdu cinema. What emerges is a resonant set of nested temporalities constituting a new media assemblage. Throughout, I draw on a set of analyses [...]

More Composite Photos

This video is a montage of the images with their digital “originals.” I think the video helps defetishize the images, that is it makes the compositing processes a little more palpable. Changing the level of detail changes the sharpness of the color transitions. The processes involved in perception traversing these gradients is what I have [...]

Composite Photos

These photos seem to me to have come together quite by chance, but then they also emerged from patterns of behavior and forms of style, against the backdrop of flows of people, traffic, capital, information. In India today these patterns are emerging through a new ecology of sensation. But I make no claim for these [...]

On the Work of Art Today: Benjamin and the Machinic Phylum

We will begin here with Walter Benjamin’s “The Work of Art in the Age of its Technological Reproducibility” (Second Version of 1936). (I’m not going to justify using this version except to say that there are aspects to it that exceed Adorno’s policing of Walter!) W.J.T. Mitchell has clarified the genealogy that ties Benjamin’s “Artwork” [...]

Deleuze, Cinema, and Zen: Break the Motor

What do we know of Deleuze’s Zen? We know of the passages in Logic of Sense, those passages where Zen practice and more specifically the koan (a puzzle without an answer) make a momentary appearance. We know of the image of thought that Zen gave Deleuze, something intolerable: teach with a blow of the staff. [...]