What is the power of the monstrous? Where does it get this power? Jacques Derrida, who in his early work associated the future as such with a certain monstrosity (cf Derrida’s preface to Of Grammatology), said in an interview: A monster may be obviously a composite figure of heterogenous organisms that are grafted onto each [...]
Archive for the ‘Clinamen’ Category
And
Posted: April 9, 2012 in Becoming, Brain, capitalism, Clinamen, Deleuze, Diagramming Affective Ethics, Ecology of Sensation, Method, Perception, Precarity, self-organizing, Swarms, ValueTags: affect, assemblage, Becoming, Bergson, body, Deleuze, Ecology of Sensation, intensity, multiplicity, ontology, resonance
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Are you with the Occupation?
Posted: October 16, 2011 in Becoming, biopower, Brain, capitalism, Chaplin, Clinamen, Diagramming Affective Ethics, Ecology of Sensation, ethics, marketing ethics, Method, Neuroscience, New Media, Organized Networks, Perception, Precarity, Time, Value, value added, value captureTags: affect, assemblage, Becoming, body, Deleuze, difference, habit, intensity, ontology
What is the nature of a connection? I have been influenced by Franco Berardi (Bifo) recently. He points out that definitions have to be approached through multiple strategies because what is important is shocking thought by the reconstitution of a virtual field of sense and sensation. In other words, part of what is at stake [...]
The Value of Affect: Perception and Media in India today
Posted: May 31, 2010 in Becoming, Benjamin, Bergson, Bollywood, Causality, Cinema, Clinamen, Deleuze, dialectic, Ecology of Sensation, Experiments with vision, India, Method, Mobile Phones, New Media, Nietzsche, Organized Networks, Perception, Photography, Photography of India, Public Sphere, Time, Zenreticulation 9.6 copy Abstract: This essay aims to diagram the set of connectivities (or “system of relations”) developing in business outsourcing affective, communicative labor and the value-adding digital image in contemporary Hindi-Urdu cinema. What emerges is a resonant set of nested temporalities constituting a new media assemblage. Throughout, I draw on a set of analyses [...]