In Chapter Three of Levy and Grewal’s Marketing they make the case for ethics explicitly (not just through stop-hand warnings!): “When customers believe that they can no longer trust a company or that the company is not acting responsibly, they will no longer support that company by purchasing its products or services or investing in [...]
Posts Tagged ‘creativity’
What is Marketing Ethics, Part Two
Posted: October 23, 2010 in biopower, Diagramming Affective Ethics, marketing, marketing ethicsTags: affect, Amit S. Rai, assemblage, biopower, body, business ethics, control, creativity, Deleuze, Foucault, habit, ontology, value added
Perception and Attention in Marketing: A Bergsonian Detour
Posted: October 3, 2010 in Diagramming Affective EthicsTags: affect, assemblage, Bergson, body, creativity, Deleuze, difference, resonance, value added
Let’s look at another take on consumer behaviour. In “Understanding consumer behaviour,” David Jobber specifies further why perception is crucial for marketing (Jobber, Principles and Practice of Marketing [London: McGraw-Hill, 2010] 108-143). Jobber claims that an understanding of customers can be gained by answering the following questions (109): 1. Who is important in the buying [...]
Truths of Times to come: On Deleuze’s Nietzsche and Philosophy, Part Two
Posted: January 7, 2010 in Deleuze, Ecology of Sensation, Method, PerceptionTags: body, creativity, Deleuze, difference, Foucault, intensity, multiplicity
The will to power: will does not want power. Power is “the one that wills in the will. Power is the genetic and differential element in the will. This is why the will is essentially creative” (85). Power is the elemental condition of mutation. So let’s say that power is a characteristic of a will, [...]
Multiplicity is the affirmation of unity: On Gilles Deleuze’s Nietzsche and Philosophy, Part One
Posted: December 16, 2009 in Becoming, Deleuze, Ecology of Sensation, NietzscheTags: affect, body, creativity, Deleuze, dissipative systems, intensity, multiplicity, resonance
Nietzsche and Philosophy (hereafter N+P) is a fantastic work. It deserves all the praise it has received and more: Deleuze is at his most creative in his engagement with Frederich Nietzsche (FN). Both interpretation and concept creation, N+P introduces the reader to some of Deleuze’s lasting concerns: multiplicity, unity, force, sense, becoming, nondialectical difference. These [...]
Urbz Mashup Mumbai
Posted: November 3, 2009 in Becoming, Ecology of Sensation, Experiments with vision, India, Photography of India, Photography of Mumbai, Public SphereTags: assemblage, biopower, Bollywood, creativity, duration, film
Nul Bazaar for Urbz Mashup: Edward Talkies, Dhobi Talab, Kalbadevi, Mumbai: Be Like Water / Edward Talkies (Kalbadevi, Mumbai)
The Value-Added Image: Media Assemblages as Ecologies of Sensation
Posted: October 27, 2008 in Bollywood, Deleuze, Ecology of Sensation, India, Method, New Media, Perception, TimeTags: affect, Bollywood, control, creativity, Deleuze, New Media, value added
It is not right to say that the cinematographic image is in the present. What is in the present is what the image ‘represents’, but not the image itself, which, in cinema as in painting, is never to be confused with what it represents. The image itself is the system of the relationships between its [...]